The difficulty with anxieties is that they make you feel nervous about decisions you’ve already made. You get really nervous because you’re seeing your significant other later, and as much as you love them, you almost don’t know what to do with them now that you’ve got them. If you’d dated or gotten laid a lot while in high school and college rather than pining for your friends and masturbating incessantly, maybe you would have an easier time processing this. But since you’d almost gotten used to spending all that time alone, it’s disorienting to have the option to do something else. And of course, there’s sex. Where would we be without that?
I’m still single, by the way. I’m just spitballing.
There’s been talk of making Blood Meridian into a movie for years now. It’s one of my favorite novels, and arguably Cormac McCarthy’s masterpiece. It’s a challenging piece of work. For one thing, it is unrelentingly violent. I don’t think then pages go by in that book without somebody getting skinned, shot to pieces, or their head bashed open on a rock. It’s not exactly beach reading, is what I’m trying to say. For another thing, its point-of-view is, if not nihilistic, certainly more interested in portraying evil as something that is immortal and eternally destructive than in telling the kind of story in which the good guys win. Since the story consists of a bunch of cowboys going on a killing rampage across the Southwest, I’m not even sure if it has any sympathetic characters. Actually, that’s not true. The kid (the nameless protagonist of the novel) is somewhat sympathetic, but only because he kind of just goes along with what’s happening rather than actively encouraging it. With a story like that, you kind of have to take what you can get.
I’m not sure who you would get to adapt such a book. Badlands-era Malick could maybe do it justice, but I doubt he’d want to now. The Coen brothers could probably do it, but they already adapted one of Cormac McCarthy’s books (No Country for Old Men), so perhaps they wouldn’t want to do go there again. Werner Herzog, maybe? Resurrect Klaus Kinski and he would make an amazing Judge. I’ve probably spent too much time thinking about this.
I’m on the last season of 30 Rock. It’s easy to get caught in the trap of taking things too slow when you realize that you’re enjoying something. I love 30 Rock. I think it’s one of the best sitcoms ever, but I’ve seen only a couple episodes of Seinfeld and haven’t watched Cheers at all, so I clearly have a lot to learn about that. There’s a line in Battlestar Galactica where Adama says that he likes the book he’s reading so much that he doesn’t want it to be over. Part of the reason I read, like, five or six books at once is that it’s hard for me to focus on something once I realize I like it. I’m not prolonging it so much as missing the forest for the trees. Because I have fallen into that pitfall of reading something just so you can say you’ve read it or watching something just so you can say you’ve watched it. And you can’t do that. Because then you’re just counting the pages/episodes until you’re done and then you can move onto the next new thing. I might look more composed to other people than I actually am. All I know is that sitting down to actually watch/read something, even and especially if I like it, is way more difficult than it should be.
The thing about 30 Rock is that it is not much concerned with either plot or character. It’s a joke machine, that’s all. When it’s on a roll, it will have you pissing your pants, clutching your sides and howling with laughter, because it is the kind of show that can fit a brilliant sight gag, one liner, and obscure pop culture reference into the same moment. Even the worst episodes have at least a handful of good jokes, and from what I’ve heard, the show went out on a bang, so I’ll be excited to get there. I have so much else to watch, after all.
It can be difficult to reign in your own weird impulses when you’re the only one in control. Especially when you spend 95% of your free time in your room. I’m talking about myself here, in case that’s not obvious. One of my high school English teachers was fond of reading some of our essays aloud to the class. The high points came when he read the bad ones and made fun of them, but he read the good ones as well, and wouldn’t you know it, mine were often featured. Except that one time I didn’t even do a very good job of exploring the topic; I just wrote a really entertaining (albeit) weird piece and he gave it the highest grade in the class because it was nothing if not memorable. Again, it’s easy to go up your own ass when you’re the only one calling the shots. It’s part of the reason I think Kubrick’s last masterpiece was A Clockwork Orange. The man was a genius, but to call him a control freak is putting it mildly.
I’m listening to Rent as I write this. It’s not bad. I listened to it as a high school theater nerd and thought it was the best thing I’d ever heard. I don’t still feel that way, but I sympathize with Mark, Roger, and Maureen. Maybe they are entitled assholes who don’t contribute anything. But they’re trying to. Roger’s music sucks and I’m not sure if Mark’s movie would really be any good, but honestly, who are they hurting by squatting in that loft? (Also, I saw somebody play Maureen as a dumb blonde once. It worked surprisingly well, especially her performance piece, which is actually really funny.) Benny doesn’t need the money; he can let his old friends stay there for nothing, and at the beginning of the show, he’s asking them to pay rent on the year they’ve already stayed, which seems like a half-assed way of trying to throw somebody out. I know people who hate that musical. I think it’s overlong and sentimental, but still powerful. Maybe I’ll think differently in another ten years. Then again, maybe not.
Suddenly, I have so much more respect for One Direction.